BIJZONDER BAROK
Bring the wonders of classical music to life through new paths. Surprise both the audience and yourself!
A new approach to music and unheard-of instrument combinations. The Elizabethan period fits Black Pencil like a glove: an experimental paradise for sound variation and tempo changes. The rich procession of dances is reflected in the exuberant music of Vivaldi; popularity in a new form. In contrast, we present our successful arrangements of sections from Bach's Kunst der Fuge and the vibrant Overture-Suites of Telemann.
Surprising in Black Pencil's unique ensemble of recorder, pan flute, viola, accordion, and percussion.
Bijzonder Barok
Bijzonder Barok
A. Vivaldi: Concerto Grosso in C (1st movement)
Die Kunst der Fuge, Contrapunctus XIV
'O vis eternitatis' by Hildegard von Bingen
G.P Telemann: Awakening of Don Quixotte
PROGRAM
John Dowland (1563-1626): Come Again
John Dowland (1563-1626): Galliard to Captaine Pipers Pavin
Thomas Morley (1557/58-1602): Joyne Hands
J. S. Bach (1685-1750): Die Kunst der Fuge, Contrapunctus I, V, IX
Antonio Vivaldi (1678-1741): Concerto Grosso in C (RV 558)
Allegro molto, Andante molto, Allegro
John Dowland (1563 - 1626): Pavane Lachrimae
John Dowland (1563-1626): Can she excuse my wrongs with virtues cloak
Thomas Morley (1557/58-1602): La Coranto
Georg Philipp Telemann (1681-1787):
Ouverture-Suite "Burlesque de Quixotte, TWV 55:G10
Sancho Panza Mocked
Don Quichotte at Rest
Awakening of Don Quichotte
Gallop of Rosinante_Sancho's Mule
Johannes Caioni (1629/30 - 1687): works from the Caioni Codex (published in 1671)
Come out, Caioni
Three Dances
The other Gypsies